#Whiskey myers tour canada how to

We knew Jonathan from bands like Damn Quails and Jonathan Tyler and the Northern Lights, which are bands we all like and respect. When we added Jonathan Knudson on keys, it was really clear to all of us that we needed some organ to round out our sound. What’s the process like for adding new members to the band? It was nice to have guys that understood what we were all going for in the big picture. Everyone looked for the parts that needed to shine for each song. When you have seven guys in the studio at once, there’s a natural instinct to try and make something really pop, but it’s important to know when to pick your spot and just settle into the groove. How does having new full-time members effect the dynamic in the studio? Having those relationships lets a song happen in a really natural way. Cody has a really good relationship with a lot of great writers in Nashville, like Brent Cobb, that are doing some killer things right now. Sometimes management sets something up, but usually we just get together with someone we’ve known for a while. How did these big-time co-writes come about?įor us, it happens in a number of ways really.

#Whiskey myers tour canada how to

We thought these stories needed to be heard, and the only way we know how to tell a story is by putting them into a song.Īnother song on the album (“Trailer We Call Home”) was co-written by Darrell Scott. We’ve become friends with some guys that are former SEALs, and they have these amazing stories about where they’ve been and the things they’ve done.

“Frogman,” which was co-written by Cody Cannon and Rich Robinson of the Black Crowes, is about a Navy SEAL. As long as you stick to what you know, then your music will grow with you as you get older, and it’ll feel real and take on different elements over the years. That’s the challenge for any artist, I think. When writing and recording a new album, how do you guys balance the need to both stay true to the sound and style you’re known for, but also keep things fresh? There’s no doubt this is a Southern rock record. 14 at 2 p.m.), we caught up with bassist Gary Brown for his thoughts on the band’s explosive rise on the Texas music scene and beyond, as well as some insights into the making of the new album, working with Cobb, and how to effectively squeeze seven band members into a recording studio. 9 release (and Whiskey Myers’ in-store at Superfly’s Lone Star Music Emporium on Wednesday, Sept. It’s a record made for cranking loud, packed with songs that sound like they were born for stages and arenas even bigger than the ones the band has played over the last couple of years touring both as headliners and supporting such heavyweights as Lynyrd Skynyrd, Chris Stapleton, and even alt-metal bangers Shinedown (which, honestly, really isn’t as much of a stretch as some might think). With a focus on thick riffs, soulful hooks and, for the most part, images of traditional Dixie living, the high-energy road warriors aren’t reinventing the wheel so much as slapping it with a formidable coat of grain alcohol, soul food and a nice dash of danger. It’s their second in a row produced by Dave Cobb, arguably the hottest producer in Americana music right now, and picks up right where were 2014’s head-turning Early Morning Shakes left off. Founded in 2008 by frontman Cody Cannon (vocals, guitar), Cody Tate (guitar), John Jeffers (guitar), Gary Brown (bass), and Jeff Hogg (drums), the band has since grown into a seven-piece, with keyboard player Jonathan Knudson (formerly with the Damn Quails) and percussionist Tony Kent (former drummer for John David Kent) officially added to fold in time for the making of Mud, their fourth album.

Hailing from the humid, rose-conducive environment of East Texas, Whiskey Myers has been a groove-slinging Southern rock force for several years now.